🦋 If you really love someone you turn into them
That's what Robyn Hitchcock's grandma used to say, or so he told us this evening -- he said nobody ever turned into his grandma, so he dedicated "I'm Only You" to her. This was the second song, after "The Museum of Sex" -- I was happy to hear him open with this song after I had opened my mix tape with it. "I'm Only You" was followed by a long digression on digestion, and whether and under what circumstances we would feel comfortable discussing our digestions, leading into "a digestion song", viz. "The Cheese Alarm", which made Ellen (and me) laugh out loud with its urgency. "Please! Somebody ring the cheese alarm!" Robyn conducted a dialogue with the audience after, asking if WALL-E is any good -- "Yeah!" -- "That's good to know... Can you all hear this?" -- "Yeah!" -- "That's good to know -- it's reassuring to think this is all not just going on in here..." and played, with much dancing during the solos, "I Got the Hots for You" and "Glass Hotel". "Thank you --" and as he started playing "Idonia", "This is about someone who left a hole the shape of themselves in somebody else's life." As he was retuning to play his next song, people in the audience were calling out requests, and he said with just enough of an edge to get them to stop, "You know there's a thin line between a devoted admirer and a creep... To be a slave to love -- what a thing!" and sang "The Idea of You". A long digression about the Victorians -- "It's possible that the Victorians were frightened by sex... Victorians wrote mostly in longhand, no e-mail. But biologically they were much the same as us..." reflecting on the possibilities of interbreeding between modern humans and Victorians, getting particularly interesting if the Victorians in question are your own ancestors; "Screw your great-grandparents! Whole empires have been founded on worse. But this song is not really about that:" and launched into the hilarious "Victorian Squid". "Thank you -- it's all true."
The next song, "Creeped Out", went out to "a friend of mine -- it's her birthday on Monday. Happy birthday, friend!" and while he tuned up for the next song, he said: "There's something insanely simple about watching somebody perform songs he's written -- it's like somebody sending you YouTube videos of cats..." and dedicated the song, which was "I Feel Beautiful", to "Michèle and our cat". Ellen thought this was a really smart lyric, and I agree. "How many people find the idea of eternity relaxing?" Not many -- mostly we want finitude. Robyn played "Oceanside", which was maybe the only song of the evening that really had me wishing for a band behind him. "This isn't exactly about Arthur Lee -- it's just around him..." and sings "The Wreck of the Arthur Lee", which I guess I had not realized was about a person. "It's a funny thing about eulogies -- essentially it's sad -- ... what really makes people cry at a funeral is the jokes," by way of explaining why he had written "Underground Sun" so upbeat -- it's about a friend who died, who was "definitely not a dismal person." "When people are dead they don't have an age." "I'll leave you with a blast of folk-rock sound," Robyn tells us as he dons his harmonica, and plays "Only the Stones Remain" with a downright amazing harmonica part. But we clapped and clapped, and he came back out to perform a long encore -- wearing his purple shirt with iguanas rather than his orange shirt with dingbats. "You've Got Heaven"* was the first song in the encore, and Ellen's favorite song of the evening. Then a song I don't know (and can't find at The Asking Tree), with the chorus "I'm gonna see you in the afterlife." And finally, after a long digression about cones (during which he wished us all "an incredibly long rest of your lives"), Olé Tarantula. Nice -- a totally satisfying evening. The level of energy he projects from the stage just takes my breath away.
 *Wow! "Heaven" is from the early eighties -- somehow I had got fixed in my head that it was from a recent record. I think it sounds much more like late-nineties Hitchcock than do any of the other songs on "Gotta Let This Hen Out".
posted morning of Sunday, July 13th, 2008
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Yr mystery song is called "the afterlight" and can be found on the
"sex, food, death...and tarantulas" ep, mostly recorded live in
seattle at the late, lamented crocodile cafe.
posted morning of July 13th, 2008 by kevin
Aha! That's prolly why searches involving the word "afterlife"
turned up nothing of use. Thanks, kevin!
posted morning of July 13th, 2008 by Jeremy
Yep, I called out for Heaven. A cutie next to me wanted to hear it
posted afternoon of July 13th, 2008 by Joe
I'm glad I found this! I was at the show, too, and really enjoyed
it. I couldn't BELIEVE how small the crowd was. I was really
hoping a recording of the show would surface, but I haven't seen
one yet. If anybody can help, send me a message at MySpace or my
Gmail (my full name at Gmail.com). :D
posted evening of July 27th, 2008 by Greg McGarvey
Hi Greg, you can download a torrent of the show from dimeadozen.org.
posted evening of July 27th, 2008 by Jeremy
Oh -- I just noticed you were searching for the New Hope show --
this is a description of the Ridgewood show the previous night, by
the time I got in touch with the New Hope venue they were sold
out.
posted evening of July 27th, 2008 by Jeremy
Oh, haha! There were quite a few similarities in the set lists and
topics of discussion (including Wall-E). Regardless, thanks for an
interesting review!
posted evening of July 27th, 2008 by Greg McGarvey
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