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Somehow, Cleveland has survived, with her gray banner unfurled -- the banner of Archangelsk and Detroit, of Kharkov and Liverpool -- the banner of men and women who would settle the most ignominious parts of the earth, and there, with the hubris born neither of faith nor ideology but biology and longing, bring into the world their whimpering replacements.

Gary Shteyngart


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🦋 Ka

I am getting more attached to seeing Ka as a narcissist. Chapter 11, "Ka with Sheikh Efendi", portrays a mental space I am closely familiar with, viz. talking happily and effusively with a group of people while simultaneously feeling secretly scornful of them and fearing that they are not taking me seriously. But the words of Ka's conversation with the Sheikh have an otherworldly, unbelievable quality to them. So I am adding together the realistic portrayal of Ka himself and the unreality of his relations with others, and coming up with narcissism.

I am feeling a little disappointed that I don't get to see the surpassing beauty of the poetry Ka is transcribing during his ecstasies. But that is likely part of the point being made here.


Hm... Now I just read chapter 13, in which Kadife comes across with a distinct fullness of character. Maybe the thing that makes Ka retreat from interacting with others into the privacy of his head, is religion, and Kadife's explicit refusal to discuss her beliefs allows him to treat her as an equal. The places I have noticed a particularly stilted quality in the dialog have all been conversations between Ka and Islamists -- Efendi, Nicep, Blue, Muhtar. (His conversation with İpek was pretty surreal too, but in a different way, and that's pretty easy to explain as a product of his infatuation.)

posted morning of Friday, July 20th, 2007
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