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Me and a frog (August 30, 2004)

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Jeremy's journal

He'd had the sense, moments earlier, that Caroline was on the verge of accusing him of being "depressed," and he was afraid that if the idea that he was depressed gained currency, he would forfeit his right to his opinions. He would forfeit his moral certainties; every word he spoke would become a symptom of disease; he would never win an argument.

Jonathan Franzen


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🦋 Modern Times

Janis lent me a copy of Dylan's recent disk, Modern Times. The first thing that hits me listening to it is what a huge range of variation there is in Dylan's work. I mean listening to this you recognize instantly who is the author -- his voice and his personality are unmistakable -- but it's a brand-new sound, not quite like anything he's done in the last 40+ years. (That I can think of anyway. I don't have an encyclopædic familiarity with his work, but I do know a lot of it. The closest thing to this that I can think of, is Basement Tapes; but that's not at all a perfect match.)

It's a groovy sound, too, different though it is from any of the Dylans I know and love. It's going to take a bunch more listening to really get to know the songs -- on first listen it seems like the real highlights of the record are "Rollin' and Tumblin'" and "The Levee's Gonna Break"; the only song I really didn't like was "Workingman's Blues #2" -- it seemed plodding and lifeless. A couple of the other songs were not perfect lyrically -- the quality of inspiration that you feel in Dylan's best work was not always present -- but the instrumental power carried them. I'm looking forward to keeping this on my car stereo for the next while and listening to it every day until I really get to know the songs. Also interested in finding out more about the source tunes these are based on; the only one I really know is Muddy Waters' "Rollin' and Tumblin'."

posted evening of Monday, November 17th, 2008
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