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Jeremy's journal

Somehow, Cleveland has survived, with her gray banner unfurled -- the banner of Archangelsk and Detroit, of Kharkov and Liverpool -- the banner of men and women who would settle the most ignominious parts of the earth, and there, with the hubris born neither of faith nor ideology but biology and longing, bring into the world their whimpering replacements.

Gary Shteyngart


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🦋 Building up

In the long, slow third part of Middlesex, there is a strong sense of building towards a climax. Calliope was born at the beginning of the third part; and the narrative arc is moving deliberately toward her coming of age and becoming Cal -- as she grows the the tension is increasing constantly.

There's some tension between the narrated character of young Callie -- who does not know what's going to happen -- and the narrator himself, who has told us well in advance what is happening. I'm waiting with bated breath to find out how it happens.

A comparison that's flickered across my mind a couple of times is to the character of Oskar in The Tin Drum -- I don't remember how clearly Oskar-the-narrator laid this out, but it seems to be understood that young Oskar is clairvoyant, that he knows from the beginning about how his life is going to play out.

posted evening of Monday, March 8th, 2010
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