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Somehow, Cleveland has survived, with her gray banner unfurled -- the banner of Archangelsk and Detroit, of Kharkov and Liverpool -- the banner of men and women who would settle the most ignominious parts of the earth, and there, with the hubris born neither of faith nor ideology but biology and longing, bring into the world their whimpering replacements.

Gary Shteyngart


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🦋 Argentina

"Amanecer en la pampa", Luis Alberto Lecuna
There is something special about Borges' stories which are set in Argentina and Uruguay, particularly I'm thinking of the stories like "The South", "The Dead Man", "Funes", and of the stories in Brodie's Report -- I get a similar feeling from reading these stories as from watching Westerns -- the same sort of longing for cultural identity, construction and description of a cultural identity. In "The Dead Man" we see Borges addressing the reader directly, it takes me by surprise every time I read it. Benjamín Otálora has fled a murder charge in Buenos Aires and is working as a gaucho in Tacuarembó:
Here began, for Otálora, a different life; a life of vast dawns, days smelling of horses. This life is new to him, sometimes harsh, but it is already in his blood; just as men of other nations worship and fear the sea, we (and also the man who is interweaving these symbols) long for the infinite pampas echoing with hoofbeats.
We! Also the man who is interweaving these symbols! I don't think Borges refers so clearly and unambiguously to himself in any of his other fictions (leaving aside those pieces like "Borges and I" and "The Other" which are specifically introspective) -- that parenthesis seems to me designed to clear away all the levels of confusion about who is saying "we".

posted morning of Sunday, June 20th, 2010
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