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Wednesday, October 31st, 2007
I always have thought of Moominpappa's Memoirs as the least interesting book in the series, worth reading only for the sake of completeness. But I have been reading it to Sylvia, at her request, for the past week or so; and this time around I am getting a fuller picture of it -- it is not just Moominpappa's boastful relation of his exploits, but rather his telling to Moomintroll (and Sniff, and Snufkin). There is a level of irony and distance that I wasn't really noticing before -- what I mean is, it was clear (in my previous reading) that Moominpappa was making a lot of stuff up to make himself look important -- that is an obvious part of the joke that's going on. But I thought that was the whole joke, and it's a kind of limited and corny one. Now I am picking up on the fact that Moominpappa is himself in on the joke and that he's winking at his audience -- this seems much more interesting to me than if it's just Jansson winking at me. Also: Sylvia says of the two Jansson picture books (Moomin, Mymble, and Little My and Who Will Comfort Toffle?) that "one is funny and one is serious", and that she prefers the funny one. (I kind of have to agree, though Toffle is pretty charming too.)
posted evening of October 31st, 2007: Respond
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Friday, October 26th, 2007
I've been thinking a lot lately about translation of poetry and how difficult it is, and whether it is worth doing. I'm glad to say that tonight I read an utterly sublime specimen of the genre. It is Tove Jansson's Book About Moomin, Mymble, and Little My, translated by Sophie Hannah and Silvester Mazzarella -- it might be better to say something like "translated by Mazzarella and composed by Hannah" -- in any case they have done a phenomenal job. The book was written in 1952 and not translated until 2001. (In any case this version came out in 2001, and no reference is made to any earlier translation.) The text is integrated flawlessly with the illustrations -- whoever did the lettering ought to have been credited -- the result looks sort of like Dr. Seuss, sort of like Walt Kelly, sort of like Edward Gorey, but mostly like Jansson. Many thanks to Redfox for recommending that I check out Jansson's picture books. I had known of their existence for a couple of years but never sought them out.
posted evening of October 26th, 2007: 3 responses
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Monday, October 22nd, 2007
I was thinking about Romanticism today and what it might mean in the context of Fritz's life, and in the context of Hymns to Night -- Jerry was telling me he thought the poem (of which I had read him about the first paragraph) sounded profoundly connected to being in the world, and I said well, there's a lot of alienation in the poem as well -- I was talking about the suggestions throughout the poem (as much of it as I have read), that the Night and unconsciousness are a higher, more true reality than day, because in sleep the poet can clearly see his beloved free of the trappings of the earthly. This seemed to me like a pretty clear-cut Idealist metaphysics, that the realm of thought is more real than the shadows of the outside world -- I had a go at explaining Plato's allegory of the cave to Jerry -- it's hard for me to see how such a metaphysics could be anything besides alienating of the thinker from the world, which seems like a bad thing to me. And, this ties in with the perception I have that Romantic thinking (on which I have only the vaguest of a grasp) and Idealism are somehow decadent -- which is just something I dimly remember hearing somewhere but has become sort of an article of faith.
(Dumb typo corrected, and it occurs to me that "Allegory of the Café" would be an awesome name for a restaurant.)
posted evening of October 22nd, 2007: Respond
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Saturday, October 20th, 2007
I am a little surprised at the progress I am making with Hymns to the Night -- I was mentioning to a friend today that when I pick up projects like this, I usually map them out in detail, then translate a sentence or two and lose interest. Today I've got working translations of the first and second hymns, and I think they read reasonably well. I have borrowed heavily from MacDonald's translation but I think mine is more pleasant of a read -- you have to spend less time and effort on diagramming the sentences in your head to make them make sense.I think a combination of telling everybody I'm working on this and the effort I put into programming the translation page is making this feel like a higher priority to actually put in the time and do it. We'll see about the verse sections of hymns 4, 5, and 6 -- I think it is going to be really difficult to come up with anything. Update: I'm no longer a one-man band! The first outside contribution to the project comes from Greg Woodruff, and it's a good 'un. Update: Another translation, from Gary.
posted evening of October 20th, 2007: 6 responses
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I had been a little confused by the chronology of The Blue Flower, particularly as regards the first two chapters and the area right around chapter 11 or 12 -- a reference in chapter 33 to Dietmahler's visit cleared up the first thing, but I'm still a little confused by things like Fritz's time at his primary school -- letting it ride for now as the kind of thing I'll probably pick up on better if I reread the book. I love the book but I have to say, Fritz's involvement with Sophie does not strike me as the most interesting thing in the book.
posted evening of October 20th, 2007: Respond
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Thursday, October 18th, 2007
Trying to translate a poem I don't really understand out of a language I don't really speak fluently might seem, well, a little Quixotic. But listen -- I think it is worthwhile. It is I guess at root a way of making myself spend some time trying to get the sounds and meanings of the poetry. I have traditionally had a hard time with poetry because I pass over it too quickly and miss nuances. An exercise like this, assuming I can stick with it, will work to correct that tendency.
posted evening of October 18th, 2007: Respond
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Want to help me come up with a new translation of Hymns to the Night? I've set up a page for translating. Update (Friday evening): Hm, haven't seen anybody else over there yet. But I have a working copy of the first chapter, and I think it sounds pretty good. I have copied MacDonald's translation quite closely in places, and introduced changes in other places. See what you think.
posted afternoon of October 18th, 2007: Respond
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Wednesday, October 17th, 2007
So this: Abwärts wend ich mich zu der heiligen, unaussprechlichen, geheimnisvollen Nacht. Fernab liegt die Welt - in eine tiefe Gruft versenkt - wüst und einsam ist ihre Stelle. doesn't sound nearly as odd to me as this: Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world, sunk in a deep grave; waste and lonely is its place. Possible reasons: - It is normal to invert elements of a sentence like that in German, where in English it sounds archaic -- I cannot vouch for the truth of the first clause here but that's what they told me in high school German. It may be that the construction would sound archaic to a native speaker of German.
- The German sounds foreign to begin with, and my ears do not pick up enough nuance to tell anything more than that; whereas the English is my own language, and I can tell straight off that it is not the kind of thing you would say, if you were speaking about turning to the holy, mysterious Night.
I am trying to figure out here, whether a more colloquial translation would be a good thing -- if the German sounds stilted in the original, then a comfortable translation would not be true to the source material.
posted evening of October 17th, 2007: 2 responses
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Here are some different editions of Novalis' Hymns to the Night: The first sentence: Before all the wondrous shows of the widespread space around him, what living, sentient thing loves not the all-joyous light, with its colors, its rays and undulations, its gentle omnipresence in the form of the wakening Day? is in praise of the light and the Day when I am expecting to find praise of Night. The opposition between the two will make up the body of this poem. I dig the sound of the poem and am intending to spend some time in the coming days thinking about its meaning, anyway if I can do so without having it sound too much like I'm writing an essay for my freshman English class. Otherwise I will just focus on the sounds. Update: In comments, Gary posts his own translation of the poem. Update: For the sake of completeness, another translation, this one by Henry Morley. (At the very end of the page.) Dick Higgins also has done a translation, but it is not accessible online.
posted evening of October 17th, 2007: 10 responses
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I really enjoyed chapter 26 ("The Mandelsloh") of The Blue Flower this afternoon -- I will try to communicate what I liked about it. This chapter had in common with the passage LanguageHat quoted, a keenly accurate eye for the domestic details of the characters' lives, combined with an eloquent tongue to bring these details to life -- a common thread through Fitzgerald's writing. Friederike's question "What is wrong with particulars? Someone has to look after them", has the sound of the author's voice about it. Writing this post brings up an uncertainty of mine about the writing I do here -- I have mentioned it before and have no resolution to bring now, but I will repeat myself. I am not writing criticism, largely because I don't know how to -- I have not read very much criticism, certainly not of the written word, and I just wouldn't have a clue how to put it together. I think what I am writing, or trying to write, is appreciations of my reading (and listening, and watching); and hoping I can do that without coming off as a buffoon.
posted evening of October 17th, 2007: Respond
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