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Saturday, November 10th, 2007
Listening to The Basement Tapes today, I was thinking about how the opposition between immersing oneself in the experience of listening and retaining one's identity through analysis, is a good framework for thinking about art and the creative process. I've been listening to this record pretty frequently over the last couple of weeks and thinking about writing a blog post concerned with how it is different from Dylan's other music that I like, and similar to The Band's other music that I like, or along those lines -- but then there are moments (especially during "Bessie Smith") where I'm suddenly singing along and identifying with the music instead of thinking about it. I love those moments.
posted afternoon of November 10th, 2007: Respond
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Wednesday, March 26th, 2008
I bought a record at Starbucks! I feel so dirty! But listen, it's a really good record: Bob Dylan, Music That Matters to Me -- a mix of tracks Bob has put together as representative of what he's listening to these days. (In the excellent liner notes, he says, "Some people have favorite songs, but I have songs of the minute -- songs that I'm listening to right now. And if you ask me about one of those songs a year from now, I might not even remember who did it, but at the moment it's everything to me.... I hope you enjoy them as much as I do.") The track list is just great. I think I've only ever heard 5 or fewer of the 16 tracks previously -- and many of the performers I had never heard of before today -- there is blues, country, reggae, Hawai'ian, jazz and more. And what really makes the record -- what makes me happy to have it and want to listen to it as a record, rather than as a collection of songs, is Dylan's commentary. The liner notes are a small booklet, with one long paragraph for each song, and they are frankly much better writing than I have oherwise seen from Dylan's pen. The way they are written gives you a sense you're listening to him speak, and he's in a really good, congenial mood, grinning and saying "Now listen to this one, it's gonna blow your mind!" Listening to the first song, "Do Unto Others", is funny because the opening riff is exactly the same as "Back in the USSR" -- Dylan says he thinks John Lennon probably heard the recording at a party sometime and forgot about it -- Ellen asked Sylvia if she knew what the lyric "they say, do unto others/ what you would have them do unto you" means; Sylvia nodded and said, in a bored-little-girl tone, "Yeah, what goes around comes around...." Full track listing below the fold, mainly because I could not find it online anywhere.
- Pee Wee Crayton, "Do Unto Others"
- Clancy Eccles, "Don't Brag, Don't Boast"
- Stanley Bros., "The Fields Have Turned Brown"
- Gus Viseur, "Flambée Montalbanaise"
- Red Prysock, "Hand Clappin'"
- Sol Ho'opi'i, "I Like You"
- Ray Price, "I'll Be There (If You Ever Want Me)"
- Stuff Smith, "I'se A Muggin' (Part 2)"
- Charley Jordan, "Keep It Clean"
- Junior Welles, "Little By Little (I'm Losing You)"
- Patty and the Emblems, "Mixed-Up, Shook-up Girl"
- Gétatchèw Kassa, "Tezeta (Fast)"
- Flaco Jiménez, "Victimas del Huracán Beulah"
- Wanda Jackson, "I Gotta Know"
- Billy Holiday, "I Hear Music"
- Junior Parker, "Pretty Baby"
↻...done
posted evening of March 26th, 2008: Respond
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Sunday, November second, 2008
Slacktivist posted this video yesterday, with the note that there are only three more days -- well today there are only two more days; and this is the perfect version of the perfect song for this moment. I had totally forgotten about Tracy Chapman, glad to be reminded.
Mmm... that makes me want to hear Bob singing this song. Here he is in 1964: (Dylan is 25 in this video; Chapman is 28 above.)
posted morning of November second, 2008: Respond
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Monday, March 30th, 2009
 Bob Dylan's new record Together Through Life is coming out soon; at least for today you can download one of the tracks, "Beyond Here Lies Nothin'," for free from bobdylan.com. I'm listening to it right now and pretty happy with it on first impressions. The feg maniac who alerted me to its availability thought the production values were not great, and I can see that; but I'm kind of liking the rawness of the sound. It sounds like rock and roll -- I'm looking forward to hearing the record.
 (Later:) ...I'm just looking at that picture of Bob and loving it. The composition is pretty masterful -- just the edges of his jacket in the negative space, and his sunburst guitar -- and he looks so joyful! So into the music he's playing.
posted evening of March 30th, 2009: Respond
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Friday, July 10th, 2009
 Nigel Smith at Carnival Saloon notes that "after his classic 60s records I reckon Blood on the Tracks is the Bob Dylan album most commonly cited as a favourite." This seems true from conversations I've had; and I've never quite understood why so many people name this as their favorite, when to me it seems like pleasant music not remotely in the league of the classic 60's records. Anyways, Mr. Smith had the great idea of assembling a Blood on the Tracks disc on which every song is performed by a different artist -- Robyn Hitchcock, Joan Baez, Elvis Costello,... You can listen to it at his blog. Mr. Smith also links to a previous instance of the same idea, put together by JayEss of The Saddest Music in the World; the music files there are no longer online but the track list is nice.
 Update: Also, here are some alternate cuts of these tunes by Dylan himself, courtesy of Recessed-Filter: Blood on the Tracks: New York Sessions. Another Update: and more! Mary Lee's Corvette has recorded covers of these tunes on their 2002 live album Blood on the Tracks. I'm listening to their "Simple Twist of Fate" right now and digging it. (Though I am missing Dylan's harmonica...)
posted morning of July 10th, 2009: 4 responses
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Sunday, August 16th, 2009
Another difference between Inherent Vice and my standard category of novel-reading experience is, I like the reading a lot better if there is music playing in the background. Normally I have a hard time reading when I'm listening to music, here they seem to enhance one another. From my iTunes shuffle today:
- It ain't nobody's business, Mississippi John Hurt
- La-Do-Dada, Dale Hawkins
- What Goes On, Robyn Hitchcock and Grant Lee Phillips -- this was a very nice coincidence because it came on just as I was starting to read the lyrics to the Spotted Dicks' new single "Long Trip Out" (which is on the radio in Doc's car), and suddenly I am singing them to the tune of "What Goes On", and they are fitting pretty well. Here is a verse of it:
Long trip out, from the Mekong Delta...
It's a last lost chance, when you need a friend,
And you're flyin on out of
Cam Ranh Bay at midnight,
And you won't know how, to
Get back home again. Then I spent a little while distracted, trying to find out more about "What Goes On" -- turns out it is a Velvet Underground song. - The Birds Were Singing, Carter Family
- There'll be Joy, Joy, Joy, Carter Family -- the Carter Family threatening to distract from the novel, they do not quite work together.
- Floater, Bob Dylan -- now this is more like it --
- Till the End of the World, Ernie Tubb
- Salty Dog Blues, John Hurt
- Knockin on Heaven's Door, Dylan and the Band -- I was not actually participating in the music-listening/reading activity here, "Salty Dog" had reminded me that Lola needed to go out --
- I Something You, Robyn Hitchcock.
The book? I'm dying to recommend it to you but having trouble with what to say about it... I am bursting out laughing about once per page.
 ...and later on in the shuffle, Fletcher Henderson's Orchestra plays the "What-cha-call-'em Blues" which go very nicely with the lyrics I am reading at this moment, to Carmine and the Cal-Zones' "Just the Lasagna". Conclusion, when there's music playing it's much easier to imagine Pynchon's lyrics being sung.
posted afternoon of August 16th, 2009: Respond
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Saturday, November 7th, 2009
I found my iPod today! Have not seen it for months, and wondered occasionally on its whereabouts... Today it was sitting in plain sight on my desk. To celebrate, I shuffle:
- Pit of Souls, Robyn Hitchcock. Fantastic -- I don't really associate this style of music with Robyn but it is very nice for a change. Shades of Interstellar Overdrive!
- Djangology, the Hot Five. From Pet's picks. I can spend too much time on Hot Five listening for Grappelli's work and may miss some of the guitar. The violin solo about a minute ½ in is amazing though.
- Blue Moments, the Fletcher Henderson band.
- I'm Only You, Robyn Hitchcock. For you... (I like his play with pronouns, it reminds me of FaceBook a bit.) Live 2003 at the Great American Music Hall.
- Soldier's Drill, Rev. Gary Davis.
- The Clothes Line Saga, Dylan/The Band. Hypnotic. Wish this song was longer, it could easily have another verse and hold the mood.
- Morning Dew, The Grateful Dead.
posted evening of November 7th, 2009: Respond
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Wednesday, October 13th, 2010
 Two great new collections are coming out -- the latest entry in the Bob Dylan Bootleg Series is The Witmark Demos: 1962 - 1964, coming out on the 19th with 50 tracks from Dylan's earliest years recording -- including some of his all-time finest work, and including some tracks which have never seen official release before. As Michael Simmons says in his review at Mojo:
I'm betting a lot of young people of the 21st century will find comfort listening to this young man of the 20th as he begins his odyssey. All eras set challenges for young minds - and Lord knows everyone gets the blues. True artists make their own mistakes and learn their own lessons, but it never hurts to know where giants have trod before embarking on a journey of your own. You can listen to several tracks at NPR's First Listen; the sound quality from what I've heard so far is just stellar. Note: Amazon is  offering as a freebie to those who pre-order, a previously unreleased concert tape from Brandeis University, May 10, 1963.Meanwhile from the other end of the sixties, EMI is releasing An Introduction to Syd Barrett, with a mix of tracks from The Piper at the Gates of Dawn and tracks from Barrett's two solo records, the latter newly remixed by David Gilmour, who produced the records. (And with magnificent cover art!) You can preview many of the tracks at 3DiCD.
posted evening of October 13th, 2010: Respond
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Tuesday, May 24th, 2011
Bob Dylan has been in the world for 7 decades today. That's a good long time, and for about the last 5 of them he has been contributing some beautiful, significant art to the world. I'm not sure what to say about this but, happy birthday, Bob! Many happy returns of the day! The Guardian has a slide show of images from his career.  I became a fan of Dylan's music in 1983, when I was 13 years old. I had always known about him and recognized some of his songs; but in the summer of my 13th year I spent a couple of weeks staying with my parents' friend Jim Higgs (r.i.p.), who had a lot of Dylan's records and the book of his lyrics. This was the summer Empire Burlesque came out, and Jim was talking it up a whole lot; but I started reading the book and became entranced by "Subterranean Homesick Blues". I listened over and over to Bringing It All Back Home; and when my family came back to town and I went home, I raided my parents' collection of Dylan records. That year and the years that followed, I listened very heavily to Bringing It All Back Home and Highway 61 Revisited; and less heavily to Blonde on Blonde, The Freewheelin' Bob Dylan, and The Times They are a-Changin'. In autumn of 1983 Jim took me to see Dylan and Tom Petty play Sacramento fairgrounds; it was the first rock concert I ever went to. At some point in high school I came into possession of a copy of Dylan's first album, self-titled, I think from Replay Records on McHenry -- that was where I got most of the music I bought in high school. I don't remember listening to this record a whole lot in high school, but later it would become one of my very favorite records. I remember seeing Steve Ewert and Tim Lechuga playing at Mondo Java -- it was one of the first concerts I went to at Mondo Java, in 1989 or so -- and getting them to let me sing "Subterranean Homesick Blues" with them. That was great even though I didn't remember all the lyrics. Not as great was the second time I saw them, when I got them to let me sing "Desolation Row" with them -- I had rehearsed and knew all the words, but the spontaneity that had made the first time so much fun was gone and it came off pretty flat. Also IIRC I brought and played bongo drums without understanding going in, how lame that was. In 1993 I bought Dylan's two new records, Good as I Been to You and World Gone Wrong. This was well before I really got into old-time music -- I loved these two records at the time but I don't think I really understood at the time, how great they are. These two certainly were part of the process that got me interested in old-time. And since then? Well... Dylan is just part of my psychic landscape, one of the places I go when I think of music. I'm glad he's here and glad I've got his music around me.
↻...done
posted evening of May 24th, 2011: Respond
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Thursday, May 26th, 2011
Speaking of "Subterranean Homesick Blues": The city of Duluth, MN has hit on a distinctive way of honoring its favorite son.
 (I always thought the lyric after this was "Don't wear sandals/ You can't afford the scandal" but apparently, per his home page, the second line is "Try to avoid the scandals".)
posted afternoon of May 26th, 2011: 1 response
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