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Saturday, December 21st, 2019
the "the raven" rag for tin-can cello:
posted evening of December 21st, 2019: Respond
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Saturday, February 19th, 2011
 Blogger Alison Sampson has uploaded scans of Alberto Breccia's comic El hombre azul (1978) -- thanks for the link, Domingos! Breccia was an Argentine cartoonist, working from the mid-20th-Century to the 90's; definitely looks worth finding out more about him. I see he illustrated texts by Ernesto Sabato, Lovecraft, and Poe, among others...
posted morning of February 19th, 2011: Respond
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Friday, September 18th, 2009
So for a while I've been wondering about the obituary of Poe that Borges attributes to Whitman in his lecture on The Detective Story... Today I tracked it down. (Thanks for their invaluable assistance to Brett Barney and Ed Folsom of the Whitman Archive.) Borges is referring to Whitman's essay A Backward Glance O'er Travel'd Roads, in which he says of Poe's poems that "beyond their limited range of melody (like perpetual chimes of music bells, ringing from lower b flat up to g) they were melodious expressions, and perhaps never excell'd ones, of certain pronounc'd phases of human morbidity." Also worth looking at Whitman's note on Edgar Poe's Significance -- Whitman's take on Poe seems to have been very much in line with Borges' own.
posted evening of September 18th, 2009: Respond
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Saturday, February 28th, 2009
Borges categorizes 5 of Poe's stories as detective stories, I just wanted to list them with links to sources: If I'm reading him correctly, he thinks that detective stories are spoiled if you know the solution going in*, and that Poe's stories have been spoilt because we all know how they're going to turn out. But this solution [the end of "Murders in the Rue Morgue"] is not a solution for us, because we all know the outcome prior to reading Poe. This, of course, takes away much of its power....
Not sure how to react to this -- I think I remember being surprised by the ending of "Murders in the Rue Morgue", which I read as a child; but it was so many years ago, I could be wrong. Borges goes ahead in the next sentence and spoils the ending for any of his listeners who do not already know it, which seems a little mean-spirited.
 * This is a little curious taken side-by-side with his assertion in "The Book", that re-reading is more important than reading -- it seems like an inescapable conclusion from these two statements, that detective fiction is not important literature...
posted afternoon of February 28th, 2009: Respond
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Friday, February 27th, 2009
As I read this lecture I'm beginning to think that Borges does not really think that much of Poe as a writer -- interesting because he says (as I noted below) that Poe changed the course of the history of literature, that Poe invented a genre and a manner of reading hugely important in our time. Of Poe as a poet, Borges says we have "a much lesser Tennyson"; he quotes Emerson in calling Poe a "jingleman." There is a hugely entertaining two-page digression in which Borges imagines the process of writing "The Raven," which is by itself worth the price of admission. Of his prose, Borges says he is "more extraordinary in the aggregate of his work, in our memory of his work, than in any of the pages of his work."
 Update: I found what might be the original reference for Emerson calling Poe "the jingle man" -- the May 20, 1894 edition of the NY Times, under the headline "Emerson's Estimate of Poe" (only available as PDF) quotes the April 1894 Blackwood's Magazine: "Whom do you mean?" asked Emerson with an astonished stare, and on the name being repeated with extreme distinctness, "Ah, the jingle man!" returned Emerson, with a contemptuous reference to the "refrains" in Poe's sad lyrics.
Update II: Fixed a blunder in my translation -- I had omitted a phrase ("in the aggregate of his work") that changes the sense of the quotation.
posted evening of February 27th, 2009: 2 responses
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