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A good book is the precious lifeblood of a master spirit, embalmed and treasured up on purpose to a life beyond life.

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Monday, November 19th, 2018

🦋 Tin-can Cello: soundpost

I put a soundpost in! On the bass side, not the treble. It really strengthens and clarifies the bass sound.

The soundpost is cut from the soundpost of the cello that I took the fingerboard from. It is connecting the bridge to the dowel.

cellosoundpostbass

posted evening of November 19th, 2018: 1 response
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Saturday, November 17th, 2018

🦋 Tin-can Cello: screwing around with some Suzuki standards





posted evening of November 17th, 2018: Respond
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Sunday, November 11th, 2018

🦋 Tin-can Cello: posture

A couple of weeks in, I seem to have hit on the correct way to hold the Tin-can cello:

  • The end pin is hitting the floor directly in front of me, a little to the right of center.
  • The cello body is skew to me; it is turned up a little to the left, and the scroll is next to my left ear.
  • My right foreleg comes up under the washtub and pushes it back into my lap. My left foreleg provides a fulcrum.

posted evening of November 11th, 2018: Respond

🦋 Tin-can Cello: swing low

posted evening of November 11th, 2018: Respond

🦋 Armistice

posted afternoon of November 11th, 2018: Respond

🦋 Tin-can Cello: #suzukibook1

posted morning of November 11th, 2018: Respond
➳ More posts about Suzuki

Thursday, November 8th, 2018

🦋 Tin-can Cello: first blues tune!

I've nearly learned first position well enough to play the lead for "Drinkin Wine (spo-dee-oh-dee)"! Was able to make my way through it with a little confusion, it will sound great in the near future...

posted evening of November 8th, 2018: Respond
➳ More posts about The Blues

Monday, October 29th, 2018

🦋 Tin-can Cello: my first lesson

I had my first cello lesson today. Teacher was intrigued in the cello and interested in helping me with technique. Said it would be a challenge as a lot of his teaching techniques are specific to cello geometry, which differs in key ways from that of the tin-can cello.

Advice for left hand is learning first position, with scales and Suzuki tunes. Thumb position is key, the thumb should be in back of the neck or even on the outside of the neck. Right hand, my fingers should cradle the frog. The angle of bow hair to string is different than when playing violin, the bow hair is facing the floor, so angled away from you. (These two bits of advice are by themselves worth the cost of the lesson.) We tried playing Humorèsque together. Vibrato was mentioned.

posted evening of October 29th, 2018: 2 responses

🦋 Dilruba bridge: rough outline

Looks like I will not need a jeweler's saw, just the drill press and files are working fine.

2018-10-29_07-12-32

posted morning of October 29th, 2018: Respond
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Sunday, October 28th, 2018

🦋 Cutting up a dilruba bridge

I am following (loosely) the plan David Courtney writes about at Chandrakantha.com for setting up a dilruba bridge.

2018-10-28_10-28-28

The idea is to keep the rigidity of the shape but open up its structure, to reduce mass. I'll cut the marked areas away using a combination of drill press and fret saw (the latter of which I'll need to find, and acquire a jeweler's blade).

posted morning of October 28th, 2018: Respond
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