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If you take away from our reality the symbolic fictions which regulate it, you lose reality itself.

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🦋 Étude/Song

I spent a lot of time practicing my fiddle tunes yesterday. These tunes -- generally Irish or Appalachian tunes, mostly in 4/4 time, mostly with two sections of 8 or 16 bars each -- I mostly play as a sort of étude, just getting used to playing the violin fast and clear and with a constant beat; something nice can happen when I have played a tune enough times, become familiar enough with it, that it will metamorphose from a practice tune into an actual song... when this happens it is as if I start hearing actual expressed meaning in the notes rather than just the bouncing melody. That transformation took place yesterday with the Irish song "The Boys of Blue Hill" -- suddenly that song is a part of my consciousness, not just a melody in my ear. Here are the fiddle tunes I feel familiar enough with that I think of them as songs:

  • Bonaparte Crossing the Rhine
  • Bonaparte Crossing the Rocky Mountain
  • Bonaparte's Retreat (almost -- I still don't totally understand the B section)
  • Old Joe Clark
  • The Irish Washerwoman (the odd man out -- this song is a jig, in 3/4 time)
  • The Growling Old Man and the Carping Old Woman
  • The Boys of Blue Hill
The transition from étude to song seems to have a lot to do with rhythm -- when I am playing a tune for practice I am very focussed on playing it straight, with beats falling at the correct place and durations of notes accurate, etc. When I am playing a song there is more room for syncopation and swinging.

I am thinking I should try and build a songbook of fiddle tunes, similar to what John and I are doing with our songs. (I am wanting to do recordings of some of these, hopefully before to long I will upload some mp3's.) Below the fold, a list (in no particular order) of songs I am working on, that are getting close to inclusion in the songbook.

  • Harvest Home (this works great as a medley with Boys of Blue Hill)
  • Whisky Before Breakfast
  • Bill Cheatham
  • The Red-Haired Boy
  • Devil's Dream
  • The Girl I Left Behind Me
  • Angelina Baker
  • The Halting March (another odd man out -- this song is 4/4 but its structure is very different from all the rest of these.)
  • Haste to the Wedding (jig)
(The fact that most of these titles are in the first half of the alphabet may give you an idea of how I approach my alphabetically-organized book of fiddle tunes -- generally to sort of let it fall open at random but biased toward the front of the book, and turn pages until I see something that catches my eye.)

posted morning of Sunday, January 31st, 2010
➳ More posts about Fiddling
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➳ More posts about The Boys of Blue Hill

Irish Washerwoman is the only fiddle song i know... i used it here.

it is fun to play. and yeah, the moment when it stops being a set of notes and turns into a song - and even better, a song that you're suddenly in control of (and able to adjust to your mood, at will) is pretty wild.

posted morning of February first, 2010 by cleek

Nice tune/slideshow!

posted evening of February first, 2010 by Jeremy

even better, a song that you're suddenly in control of (and able to adjust to your mood, at will)

I was just thinking, this works pretty well as a description of how it feels to learn a new language, too.

posted evening of February second, 2010 by Jeremy

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