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Friday, August 10th, 2012
Cómo pensar en idioma extranjera, cómo
tomar revelación en los pensamientos
y pasajes, palabras de luz
y de apologia cómo imaginarte que la tierra,
la desierte debajo de tus pies
sea planeta ajeno: que la estrella
la que deseas
a tà te sea patria
a donde nunca mas te volvieras
 (see you soon -- bloggy hiatus to ensue)
↻...done
posted evening of August 10th, 2012: 1 response
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Thursday, July 26th, 2012
Speaking of tormentas eléctricas, we're having a pretty dramatic one tonight. I got a nice cloudscape shot just beforehand.
(Actually the full size image of this would make a really nice wallpaper file.)
posted evening of July 26th, 2012: 6 responses
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Saturday, July 21st, 2012
...Not sure quite how many times of looking in passing at the cover of La universidad desconocida it took me, before it clicked what the picture I am looking at is... For more Bolaño/Duchamp pairing, check out part 2 of Savage Detectives.
Loving the poems certainly. I need to read them more closely and repeatedly before I will have anything worthwhile to write about them though.
posted morning of July 21st, 2012: Respond
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es mi favorito, el túnel el túnel del PATH a la calle 9 acon los tubos desciendo homeward bound
posted morning of July 21st, 2012: Respond
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Sunday, July first, 2012
Okay, who knew about this? I did not know about it and now I am blown away, stunned. This is the best thing ever. (Thanks for the link, Henry!)
In 1957, the Italian government commissioned Salvador Dalà to paint a series of 100 watercolor illustrations of Dante’s Divine Comedy, the greatest literary work written in the Italian language. The illustrations were to be finished by 1965, the 700th anniversary of the poet’s birth, and then reproduced and released in limited print editions. The deal fell apart, however, when the Italian public learned that their literary patrimony had been put in the hands of a Spaniard. Undeterred, Dalà pushed forward on his own, painting illustrations for the epic poems that collectively recount Dante’s symbolic travels through Hell, Purgatory and Heaven. After Dalà did his part, the project was handed over to two wood engravers, who spent five years hand-carving 3,500 blocks used to create the reproductions of DalÃ’s masterpiece.
 «The wood and the suicide»: Inferno ⅩⅢ Nessus had not yet reached the other side
When we moved forward into woods unmarked
By any path. The leaves not green, earth-hued;
The boughs not smooth, knotted and crooked-forked;
No fruit, but poisoned thorns. Of the wild beasts
Near Cecina and Corneto, that hate fields worked
By men with plough and harrow, none infests
Thickets that are as rough or dense as this.
posted afternoon of July first, 2012: Respond
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Sunday, June third, 2012
 I spent this morning reading Saramago in Spiotta Park, where the geniuses of Rebel Yarns had conspired to give the park a surrealistic makeover as part of the South Orange Maplewood Artists' Studio Tour. Click thru for pix.
posted afternoon of June third, 2012: Respond
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Saturday, May 26th, 2012
posted afternoon of May 26th, 2012: Respond
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The Daily Mail publishes a stunning gallery of photos of the undeveloped American West, taken on surveying expeditions in the late 19th Century. (via cleek)
posted morning of May 26th, 2012: Respond
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Sunday, May 20th, 2012
posted afternoon of May 20th, 2012: 2 responses
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Saturday, May 19th, 2012
Courtesy of Ellen's green thumb:
posted afternoon of May 19th, 2012: 1 response
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