Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention.
This page renders best in Firefox (or Safari, or Chrome)
READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
I've nearly learned first position well enough to play the lead for "Drinkin Wine (spo-dee-oh-dee)"! Was able to make my way through it with a little confusion, it will sound great in the near future...
posted evening of November 8th, 2018: Respond ➳ More posts about The Blues
I had my first cello lesson today. Teacher was intrigued in the cello and interested in helping me with technique. Said it would be a challenge as a lot of his teaching techniques are specific to cello geometry, which differs in key ways from that of the tin-can cello.
Advice for left hand is learning first position, with scales and Suzuki tunes. Thumb position is key, the thumb should be in back of the neck or even on the outside of the neck. Right hand, my fingers should cradle the frog. The angle of bow hair to string is different than when playing violin, the bow hair is facing the floor, so angled away from you. (These two bits of advice are by themselves worth the cost of the lesson.) We tried playing Humorèsque together. Vibrato was mentioned.
I am following (loosely) the plan David Courtney writes about at Chandrakantha.com for setting up a dilruba bridge.
The idea is to keep the rigidity of the shape but open up its structure, to reduce mass. I'll cut the marked areas away using a combination of drill press and fret saw (the latter of which I'll need to find, and acquire a jeweler's blade).
posted morning of October 28th, 2018: Respond ➳ More posts about Woodworking
